The Mirror Has Two Faces Mp4 Download Movie
| The Mirror Has Ii Faces | |
|---|---|
 Theatrical release poster | |
| Directed by | Barbra Streisand |
| Screenplay by | Richard LaGravenese |
| Story by | Richard LaGravenese |
| Based on | Le Miroir à deux faces by André Cayatte Gérard Oury |
| Produced by |
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| Starring |
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| Cinematography |
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| Edited by | Jeff Werner |
| Music by | Marvin Hamlisch |
| Production | TriStar Pictures[one] |
| Distributed past | TriStar Pictures[one] (through Sony Pictures Releasing[2]) |
| Release date |
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| Running time | 126 minutes[1] |
| Country | United States[1] |
| Language | English |
| Box part | $82 million[3] |
The Mirror Has Two Faces is a 1996 American romantic comedy-drama film produced and directed by Barbra Streisand, who also stars. The screenplay by Richard LaGravenese is loosely based on the 1958 French film Le Miroir à deux faces written by André Cayatte and Gérard Oury. Also starring are Jeff Bridges, Pierce Brosnan, George Segal, Mimi Rogers, Brenda Vaccaro, and Lauren Bacall. The story focuses on a shy, middle-aged professor who enters into a platonic relationship with an unlucky colleague. The film was released on November xv, 1996 and grossed $82 million worldwide. Streisand, Marvin Hamlisch, Robert John "Mutt" Lange, and Bryan Adams equanimous the film's theme song, "I Finally Found Someone". Streisand sang it on the soundtrack with Adams.
Plot [edit]
Rose Morgan, a middle-aged English literature professor at Columbia University, lives with her vain, overbearing mother, Hannah. While attending her sis Claire's 3rd hymeneals (to Rose'due south former fellow Alex), Rose tells her all-time friend, Doris that she has reached the signal where she knows she will never go married. But she also thinks how wonderful it might feel to have a partner who really knows her.
Gregory Larkin is a Columbia mathematics professor who cannot connect with students and loses perspective every bit soon as he is aroused by an bonny woman. A few moments after Gregory begins a talk about his new book, his ex-girlfriend Candace arrives. She flusters him and then much that he has a panic assault and is unable to continue. While recovering, Gregory begs his best friend, Henry, non to allow him go home with Candace, merely he leaves with her the moment she offers. Back at Gregory's identify, Candace leaves immediately after having sex. She is still with her new boyfriend, just wanted to bolster her ego because he was cheating on her.
Left in a country of frustration and rejection, Gregory decides to place a personal ad that reads, "Columbia Academy professor (male) seeks woman interested in common goals and companionship. Must have Ph.D. and be over thirty-five. Physical appearance not important!"
Claire secretly responds to the ad for Rose, and that dark Gregory asks Rose out to dinner. They begin a relationship akin to dating, simply without whatever physical intimacy beyond an occasional hug. Three months later on, Gregory proposes. He emphasizes that their human relationship volition be built on mutual interest and caring, non sex, though he does agree to occasional sex activity, provided Rose gives him enough warning. Gregory and Rose ally in a courthouse ceremony. The relationship continues to grow and get more emotionally intimate, with hints of physical attraction.
While discussing his book bout at breakfast, Rose asks if now is plenty warning to tell him she would like to accept sex activity this night. She tries to make the scene seductive, while he tries to keep it benign. They finish upwards passionately on the flooring, until Gregory resists and pulls away. He expresses thwarting in her, calling her beliefs "female manipulation", without admitting he only stopped because he was beingness swept away. Hours later, while Gregory is asleep, a devastated Rose sneaks out and goes back to her mother'due south.
During her stay with her mother, she is handed a photo of herself as a little girl. Her female parent describes how pretty she was back so, and that her father had never held a baby, until she came along. He "never let her go," Hannah told Rose. This greatly changes Rose'southward view about herself: "I was pretty?" After this, Rose decides to undergo a makeover (changes her nutrition, exercises, does her hair, starts wearing curve-favoring article of clothing and makeup). Meanwhile, missing his wife, Gregory cuts his European volume bout short and comes home to Rose. Yet, when he tells Rose he doesn't like the changes, she tells him that she cannot continue being married, moving back in with her mother.
When Alex finds Claire in bed with her masseur, they separate. Rose comforts him, just she realizes the fantasy of Alex is a lot better than the reality. Gregory starts lashing out at students, distraught most his declining spousal relationship. He ends upwards on Henry'due south couch, an emotional and physical wreck, insisting he loves Rose and does not know what to do. Henry encourages him to fight for her.
Before sunrise, Gregory goes to Rose'south flat. He tells Rose he loves her and he and then badly wanted her that nighttime, it caused him to pull away. They mutually confess their love and, when Gregory says he wants to marry her, she reminds him that they are still married. The dominicus comes up, and they catch a taxi home.
Cast [edit]
- Barbra Streisand as Rose Morgan-Larkin
- Jeff Bridges as Gregory Larkin
- Lauren Bacall every bit Hannah Morgan
- George Segal equally Henry Fine
- Mimi Rogers every bit Claire Morgan
- Pierce Brosnan every bit Alex
- Brenda Vaccaro as Doris
- Austin Pendleton equally Barry
- Elle Macpherson equally Candace
- Taina Elg every bit Professor
- Adam LeFevre every bit Doorman
- Andrew Parks as Waiter
- Leslie Stefanson as Sara Myers
- Milla Jovovich as Girl in Commercial (uncredited)
Release [edit]
The film grossed $41 1000000 in the US and Canada and $82 million worldwide.[ii] [3]
Reception [edit]
Rotten Tomatoes, a review aggregator, reports that 55% of 33 surveyed critics the pic a positive review; the average rating is 5.4/ten.[4]
In her review in the New York Times, Janet Maslin called the pic's first hour "lite and amusing" but added, "then [Barbra Streisand] impresses her audience with good volition hubris that goes through the roof. Fallacious as she tin exist in ugly duckling roles, she becomes detestable as this story'south gloating swan . . . The overkill of The Mirror Has Two Faces is partly get-go by Ms. Streisand'southward genuine diva appeal. The photographic camera does dearest her, even with a gun to its head. And she'south able to wring sympathy and humour from the beginning one-half of this function. The film as well has a big nugget in Ms. Bacall . . [who delivers] her lines with trademark tart panache . . . and cuts an elegant and sardonic figure".[5]
Roger Ebert of the Chicago Sun-Times said the film "approaches the subject of marriage warily and with wit, like a George Bernard Shaw play . . . information technology'south rare to find a picture that deals intelligently with issues of sex activity and love, instead of just assuming that anybody on the screen and in the audience shares the same popular culture assumptions. It'south rare, too, to find such verbal characters in a movie, and listening to them talk is ane of the pleasures of The Mirror Has Two Faces . . . this is a moving and challenging movie".[six]
In the San Francisco Chronicle, Edward Guthmann described the moving-picture show as "a silly affirmation fantasy . . . that Streisand . . . uses to prove she's really cute, funny and worthy of being loved, gosh darn it . . . hasn't she returned to the theme of Homely Girl Redeemed, and crowned herself the victor, countless times? Expect back and y'all'll see that Streisand'south career, from the kickoff, was i long battle weep for geeks and wallflowers and Jewish girls with big noses - a series of wish-fulfillment scenarios in which she, the perennial underdog, triumphs by dint of talent, chutzpah and a really great personality . . . in its beginning half The Mirror is a romantic-comic delight: nicely directed . . . well-acted by a terrific cast and brindled with great one-liners . . . by the second half . . . the motion-picture show has disintegrated into a humorless, drawn-out plea for reassurance".[seven]
Todd McCarthy of Variety called information technology "a vanity production of the showtime guild. A staggeringly obsessive expression of the importance of appearances, good looks and being adored, Barbra Streisand's third directorial outing is likewise, incidentally, a very old-fashioned wish-fulfillment romantic comedy that has been directed and performed in the broadest possible fashion . . . From the kickoff, it is clear that Streisand intends to hit every betoken squarely on the head and perchance blindside information technology a few actress times for good measure. Every gag, every line and every emotional cue is pitched to the meridian balcony so no 1 will miss a matter, and there are quite a few moments of self-test and discovery where one well-nigh expects the star to interruption into song to underline what she is actually feeling . . . the subject of the director's uninterrupted gaze. Lit and posed in an old-time movie star way yous rarely see anymore, she plays out her career-long is-she-or-isn't-she-beautiful comic psychodrama one more time, with the girlish uncertainties wiped out with the speed of a costume change. If one were to take it all seriously, one would have to point out that in that location just isn't that much divergence in Rose Before and Afterwards, that Streisand hasn't immune herself to expect unappealing enough to justify the big modify. No affair. The narcissism on display is astonishing to behold, and veteran Barbra worshipers will have a field day. Beyond that, pic does evangelize a number of laughs, deep-dish luxury on the product side and an engagingly enthusiastic performance from Bridges".[8]
Lisa Schwarzbaum of Amusement Weekly rated the film C- and added, "We know these ii people are solitary and afraid of love and deserve our empathy. But they enact their tightly choreographed pas de deux in such a hermetically sealed universe that our emotions can never be engaged. Instead, we are left to muse, "Oy vey, does Streisand know how over-the-top she is?" That's not to say that Mirror is hard to sit through. The synthetic i-liners that pass for humor and sentiment . . . are struck regularly, like gongs . . . The settings are pretty. The music is slick".[9]
In the Washington Post, Rita Kempley called the film "Barbra Streisand'southward latest folly" and added, "Although meant to be a bubbly romantic one-act, the movie is actually a very public tragedy for Streisand, who all the same can't quite believe that she's not Michelle Pfeiffer . . . at 54, it's time to get over girlish hang-ups, forget the noble schnoz and thank God that dissimilar Cher, you're nonetheless recognizable".[x]
In the newspaper'due south Weekend section, Desson Howe opined, "For Streisand fans, this ugly-duckling parable . . . is going to exist the perfect experience. But for those who make crucifix signs with their fingers when her name is mentioned, this is definitely one to miss . . . the running time is inappreciably helped past a plethora of strategically framed shots of Rose's legs, new hairstyle, luscious lips and misty-blue eyes, after she has undergone a physical makeover. At that place is comic relief, however, from Lauren Bacall as Hannah, Rose's egocentric, materialistic mother. Her withering lines . . . annul some of the ubiquitous narcissism".[11]
Lauren Bacall's performance earned praise, winning her the Golden Globe Award and Screen Actors Society Accolade for Best Supporting Actress. She also earned an Academy Award nomination for All-time Supporting Actress, the first in her then-50-plus year career.
Awards and nominations [edit]
| Laurels | Category | Subject | Result |
|---|---|---|---|
| twenty/20 Awards | All-time Supporting Extra | Lauren Bacall | Nominated |
| Academy Awards[12] | All-time Supporting Actress | Nominated | |
| Best Original Song | "I Finally Institute Someone" Music and Lyrics by Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert John "Mutt" Lange | Nominated | |
| American Comedy Awards | Funniest Supporting Extra in a Movement Pic | Lauren Bacall | Nominated |
| ASCAP Pic and Telly Music Awards | Nigh Performed Songs from Motion Pictures | "I Finally Found Someone" Music and Lyrics by Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert John "Mutt" Lange | Won |
| British University Moving picture Awards[13] | Best Actress in a Supporting Role | Lauren Bacall | Nominated |
| Aureate World Awards[14] | Best Actress in a Motility Picture – Musical or Comedy | Barbra Streisand | Nominated |
| Best Supporting Actress – Picture | Lauren Bacall | Won | |
| All-time Original Score – Motion Movie | Marvin Hamlisch | Nominated | |
| Best Original Song – Movie | "I Finally Found Someone" Music and Lyrics by Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert John "Mutt" Lange | Nominated | |
| Online Picture & Television Association Awards[15] | Best Supporting Extra | Lauren Bacall | Nominated |
| Best Original Song | "I Finally Found Someone" Music and Lyrics by Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert John "Mutt" Lange | Nominated | |
| San Diego Film Critics Order Awards | Best Supporting Actress | Lauren Bacall | Won |
| Screen Actors Order Awards[16] | Outstanding Performance by a Female person Player in a Supporting Role | Won | |
| Satellite Awards[17] | Best Supporting Actress in a Movement Picture – Musical or Comedy | Nominated |
The moving picture is recognized by American Film Plant in these lists:
- 2004: AFI'south 100 Years...100 Songs:
- "I Finally Found Someone" – Nominated[xviii]
Soundtrack [edit]
Original music for the picture show was equanimous by Marvin Hamlisch. It received a nomination for Best Original Score at the 54th Golden World Awards.[19] On November 12, 1996, Sony released the soundtrack on CD.
Tracks include "Try a Little Tenderness" by David Sanborn, "The Power Inside of Me" past Richard Marx, "I Finally Plant Someone" by Barbra Streisand and Bryan Adams, "All of My Life" by Barbra Streisand and "The Apology / Nessun Dorma" by Luciano Pavarotti with the London Philharmonic Orchestra conducted by Zubin Mehta. In the final scene, Pavarotti'due south voice was mimed by real-life tenor and role player Carlo Scibelli.[twenty] [21]
The CD single for "I Finally Plant Someone" too contains the Castilian-language version of Streisand's "Evergreen": "Siempre Verde (Tema de Amor de Nace Una Estrella)".
References [edit]
- ^ a b c d "The Mirror Has 2 Faces (1996)". AFI Catalog of Feature Films . Retrieved September ii, 2020.
- ^ a b "The Mirror Has Two Faces (1996)". Box Part Mojo . Retrieved September ii, 2020.
- ^ a b "Phoenix'south B.O. fire". Variety. September 17, 2001. p. vi.
- ^ "The Mirror Has Two Faces (1996)". Rotten Tomatoes . Retrieved September 2, 2020.
- ^ , Janet. - Film Review: "The Mirror Has Two Faces". - New York Times. - November 15, 1996.
- ^ Ebert, Roger. - "The Mirror Has Two Faces". - Chicago Sun-Times. - November xv, 1996.
- ^ Guthmann, Edward. - "In Babs' Vanity Case, `Mirror' Has I Face: Streisand overdoes the ugly duckling flake". - San Francisco Relate. - Nov 15, 1996.
- ^ McCarthy, Todd. - Flick: "Besides Playing: The Mirror Has Two Faces". - Variety. - November eleven, 1996.
- ^ Schwarzbaum, Lisa. - Pic: "Movie Review: The Way She Is" (1996)". - Entertainment Weekly. - Nov 22, 1996.
- ^ Kempley, Rita. - Moving picture: "Caution: Objects in 'Mirror' Older Than They Announced". - Washington Post. - November 15, 1996.
- ^ Howe, Desson. - Picture show: "Streisand Loves a 'Mirror'". - Washington Post. - Nov 15, 1996.
- ^ "The 69th University Awards (1997) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on November nine, 2014. Retrieved Oct 23, 2011.
- ^ "BAFTA Awards: Film in 1997". BAFTA. 1997. Retrieved 16 September 2016.
- ^ "The Mirror Has Two Faces – Gilt Globes". HFPA . Retrieved July 5, 2021.
- ^ "1st Almanac Film Awards (1996)". Online Film & Boob tube Clan . Retrieved May 15, 2021.
- ^ "The 3rd Almanac Screen Actors Guild Awards". Screen Actors Guild Awards. Archived from the original on November ane, 2011. Retrieved May 21, 2016.
- ^ "1997 Satellite Awards". Satellite Awards . Retrieved August 24, 2021.
- ^ "AFI'southward 100 Years...100 Songs Nominees" (PDF) . Retrieved 2016-08-05 .
- ^ Elber, Lynn (December twenty, 1996). "'English language PATIENT' GETS vii GLOBE NOMINATIONS". Deseret News . Retrieved February 24, 2013.
- ^ "The Mirror Has Ii Faces (1996) Full Cast & Crew". Retrieved June 12, 2021.
- ^ "Carlo Scibelli". Operissimo . Retrieved June 12, 2021.
External links [edit]
- The Mirror Has Two Faces at IMDb
- The Mirror Has Two Faces at the TCM Film Database
- The Mirror Has 2 Faces at AllMovie
- The Mirror Has Two Faces at Box Part Mojo
- The Mirror Has Two Faces at Rotten Tomatoes
- Barbra Athenaeum: The Mirror Has Two Faces movie
- Barbra Archives: The Mirror Has Ii Faces: Music From the Move Picture
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